Encyclopedia of Popular Fiction

Email: popularfiction@gmail.com

 

 

Guidelines

 

Only entries conforming to the guidelines below can be accepted for editing and possible publication; those not conforming will be immediately returned, with our apologies, for preliminary revision.  Thank you.

 

General advice:

     Write a clear, concise, lively entry, free of jargon and theoretical posturing.  This is an unpretentious guide to bestsellers, aimed at readers who like the works and want to know more about them.  Your focus should remain on what makes the books interesting to those readers (we are not interested in entries which have an overtly theoretical bent, nor in those which perform an aesthetic critique of the works). 

     Before you begin to write your entry, be sure to read the sample entries very closely, paying attention to both their style, substance, and formatting.  Citations should be made parenthetically; no footnotes are allowed.

 

And   needless to say (I hope!), entry authors are not allowed to borrow material from any source without attribution. This includes wikipedia sources and other online content. All sources should be properly credited with parenthetical citations and inclusion in the entry’s bibliography.  It is extremely important that this is done honestly and meticulously. 

 

     Finally – mind the word count! 

 

For author entries, be sure to: 

1) provide a biographical summary, noting the relevance of the author’s life, where applicable, to his or her work

2) identify the author’s major works, and, if appropriate, his or her minor ones

3) assess the most significant qualities of the author’s works, reflecting on the themes and characters most important to them 

4) note the relation of the author, where relevant, to his or her influences, as well as to other authors working similar territory

 

For text entries, be sure to: 

1) provide a plot summary (if possible, without spoiling any surprise endings!)

2) reflect on the prominent features of the work itself, describing its major themes and characters

3) suggest the relationship of the individual work to others in the author’s oeuvre, as well as to the works of other authors

4) note other relevant information about the work itself, such as its adaptation to film

 

 

For American Readers:

For Canadian Readers: